what to include in a custom song for the best result

what to include in a custom song for the best result

By Daniel BrooksSongwriter on the Songive team.

Updated 8 min readGuides

The best briefs are short and true. You need a name, one real story, a phrase they'd recognise, and the feeling you want the song to leave behind. Everything else we can shape from there.

Listen to this article

A song we made for a birthday — have a listen:
Create the song

What to include in a custom song is simple: the recipient's name, one true story about them, a phrase or nickname they'd recognise, and the mood you want the song to carry. Those four things do most of the work. We can write around a thin brief, but a song built from real detail always lands harder than one built from adjectives.

What a custom song brief is: a short note from you about the person the song is for. It's the raw material a songwriter turns into lyrics and a finished track. It doesn't need to be well written or in order — it needs to be honest and specific.

I'm on the songwriting team at Songive, and I read a lot of these briefs. Here's what I've learned about what makes one sing.

What should you put in a custom song brief?

Start with the person, not the occasion. Anyone can write "happy 40th". Very few people will tell me that the birthday person cries at the end of It's a Wonderful Life every Christmas and pretends it's the dust. That second thing is the song.

Here's the short list I want from you, in plain terms.

  • Their name, and what you actually call them. Not "my father" — "Dad", or "the old man", or "Poppa" if that's what the grandkids say. Names go in the chorus, and the right one makes people's heads snap up.
  • One real story. A single moment, told plainly. The time they drove four hours to bring you soup. The wrong turn on the honeymoon that became your favourite day. One story beats ten qualities.
  • A phrase they'd recognise. Something they say, a running joke, a daft line from a group chat. When we work that in, the recipient knows the song was written for them and no one else.
  • The feeling you want at the end. Tender, funny, proud, a bit of both. This tells me whether we're going for a quiet acoustic thing or something with more lift.

What we actually do with your words

When a brief lands on our desk, the first thing we hunt for is the one detail that isn't generic. Everyone loves their mum. But the mum who kept every school report in a biscuit tin — that's a lyric.

Here's the whole thing from your side.

  1. You write a few honest lines. Not a poem. Just what you'd tell a friend in the pub about this person and why the day matters. Five or six sentences is plenty. If you'd rather, you can start the brief on the create page and fill the box as it comes to you.
  2. You get the lyrics. They come back built around your details — the name in the chorus, your story turned into verses, that daft phrase tucked where it belongs. You read them, and if a line's off, you say so and we adjust.
  3. You get the finished song, usually in about two minutes. Words and music together, ready to send or play out loud. The birthday one in the player above started from exactly this: a daughter sent us three lines about her dad's terrible dancing at every family do, and we built the rest around it.

That's the honest shape of it. No sheet music required from you. No musical vocabulary. Just the truth about someone, handed over in whatever order it arrives.

What makes the difference between a good song and a flat one

The flat ones almost always share a fault: they're a list of virtues. "Kind, generous, always there for me." All true, none of it usable. Those words fit anyone, so the song fits no one.

The songs that make people go quiet are built from things only you would know. If you want to go deeper on this, we wrote a fuller piece on how to build a songwriting brief when you're not a songwriter. And if you're weighing a custom song against a cover of an existing track, the difference in feel is real — we laid it out in personalized song versus cover song.

Here's how a few options compare on the things that actually change the result.

Option Built from your story Name in the chorus Turnaround You steer the lyrics
Songive Yes Yes About two minutes Yes
Songfinch Yes Sometimes Days to weeks Limited
Suno You supply the prompt If you prompt it Fast You do the writing
A cover of an existing track No No Varies No
A handwritten card Yes, in words only N/A Minutes You write it all

A handwritten card is honest and cheap and I love them, but it doesn't play at the party. A cover carries someone else's story. The custom route is the only one where your specific detail becomes the melody people hum on the drive home.

What to write in the box about them

When you get to the part that asks about the person, this is what earns its place. Four things, roughly in this order.

  1. The relationship and the occasion, briefly. "For my wife Emma, our tenth anniversary." One line. This sets the frame so the song speaks to the right moment — see personalised songs for a wife for how anniversary details tend to land.
  2. One concrete moment. "We got engaged on Brighton pier in the rain and neither of us had an umbrella." A moment with a place and a small mishap beats any grand statement about love.
  3. A word or phrase that's theirs. "She calls everything 'a proper faff'." Odd little phrases are gold. They're proof the song came from inside the relationship, not off a shelf.
  4. The note to end on. "I want her to feel how much I'd choose her again." This tells me where to aim the last line, which is the one people remember.

Give me those four and the rest is my job.

FAQ

What is the most important thing to include in a custom song?

One true story about the person. A single real moment carries more weight than a list of good qualities, because it's the thing only you would know. It's what makes the recipient certain the song was written for them and no one else.

How long should my brief be?

Five or six honest sentences is plenty. You don't need to write well or in order — just tell us what you'd tell a friend about this person and why the day matters. A short, specific brief beats a long, vague one every time.

Do I need to know anything about music?

No. You supply the words and the feeling; the music is our job. You never have to name a key, a tempo, or a style — just tell us whether you're after something tender, funny, or proud, and we shape the sound to fit.

Can I put the person's nickname in the song?

Yes, and you should. The name or nickname you actually use goes into the chorus, so telling us "Poppa" or "the old man" instead of "grandfather" makes the song land far harder. It's one of the simplest details with the biggest effect.

What if the lyrics come back not quite right?

You tell us and we adjust. The lyrics arrive before the finished track precisely so you can read them, flag any line that feels off, and steer it. The song should sound like your relationship, so we'd rather you speak up.